google-site-verification: googlee7d21a0086eae0fe.html Film – Cherry the Geek Paste your Google Webmaster Tools verification code here <

Category: Film

May 10th, 2018 by Cherry

It’s GIRL power this weekend with Street Food Cinema! They have Wonder Woman in Glendale and Selena DTLA!

 

It’s been seven years since Steve Allison & Heather Hope-Allison founded Street Food Cinema to combine love of movies, drive-ins and food! Fans can see new and classic films in Los Angeles, San Diego and Phoenix.

Image result for wonder woman

This weekend I’m heading to Verdugo Park in Glendale with Gigi the Geek for Wonder Woman where part of the event proceeds are going to Red Nose Day USA! We also plan to enjoy LA food truck cuisine from Meat the Greek, Ralph & Richies, SUGO, The Shrimp & Taco Stop, Yuna’s Bob, Dreamy Creations AND Drunken Cake Pops, and dance to live music from DJ Ivy (http://www.djivyla.com/home/).

Mark your calendar for Red Nose Dayon Thursday, May 24thto raise money and awareness for children who need our help the most, in America and around the world. Our mission is to end child poverty – one red nose at a time. Get Your Nose On!  Donate HERE

Image result for selena movie posterYou can also head DTLA for the classic tragic tale of “Selena”at Exposition Park in Los Angeles, with live music from Selena tribute band Dreaming of You at 6:30pmand Food Truck favorites Canvas Food Truck, Goshen, Los Tamaleros, Not Your Mamas Kitchen, Oaxaca on Wheels, Phillyfornia, Roni Macaroni, Romolo’s Italian Kitchen, Spyros Gyros, Triple Threat Truck, Wise BBQ, Churro Stix, Drunken Cake Pops & more will be onsite.

Don’t stay home “Dazed & Confused” or you’ll miss a fun night with special guests Q&A, music and a movie. 

Our 7th season offers so many exciting titles, that began with the incredible 2018 Oscar nominees “Get Out” on May 5th,“The Greatest Showman” on June 16th, and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time”on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” and “I, Tonya” on June 23rd, “The Sandlot”  on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist”on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party “The Craft” & “Teen Witch” on September 15th.

SaveSave

Posted in festival, Film, Food, Los Angeles Tagged with: , , , , , , , , , , , , , , ,

April 23rd, 2018 by Cherry

It’s that time of the year to plan spring/summer fun and am so excited about the upcoming schedule for Street Food Cinema in Los Angeles! Season 7 is kicking off 420 style with Richard Linklater’s “Dazed and Confused” screening Saturday, April 28th at the LA State Historic Park with special guests Sasha Jenson “Don” & Wiley Wiggins “Mitch” for a Q&A before the film starts at 8:30pm. Arrive early because doors open at 5:30pm so that you can grab some grub, find a good spot and than enjoy live music from Reckless at 6:30pm.

It’s not Street Food Cinema without food and so they have a selection of munchies for any appetite including Baby’s Badass Burgers, Belly Bombz, Cousins Maine Lobster, Keep it C’asian, Okamoto, Pinch of Flavor, Prince of Venice, Richeeze Melts, Sabores de Mexico, The Shrimp and Taco Stop, Spitz, White Rabbit, Word of Mouth, Dream Donut, Recess Truck, and more will be onsite!

Our 7th season offers so many exciting titles, beginning with the incredible 2018 Oscar nominees “Get Out” and “I, Tonya” on May 5th,“The Greatest Showman” on June 16th, “Lady Bird” on July 21st and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time” on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” on June 23rd, “The Sandlot”  on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist” on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party “The Craft” & “Teen Witch” on September 15th. Now in it’s 7th season , Street Food Cinema is LA’s largest outdoor movie experience, combining carefully cultivated experiences  with outdoor movies, street food, audience games, live music and more. We’d love to have you join us this season for 27 weeks, 11 locations and more than 50 fantastic events!

This ultimate outdoor movie experience founded in 2012 by the dynamic husband and wife team of Steve Allison & Heather Hope-Allison, has developed a strong community of entertainment and food enthusiasts across Los Angeles.  Every Saturday throughout the summer, Street Food Cinema features beloved cult classic movies on a huge 50 foot screen alongside LA’s favorite food trucks like Cousins Maine Lobster, Street Kitchen LA and Churro Stix as well as emerging music artists such as Alex G., Past Action Heroes and The Urban Renewal Project: punctuated with themed audience games hosted by professional comedians to complete the interactive experience. Their Season 6 opener in 2017 was the worlds biggest La La Land screening AND the biggest Street Food Cinema to date at over 5,000 attendees.  With their visionary idea to take the outdoor movie experience to fully inclusive night out –they incorporated a variety of fascinating food trucks, pre-movie live entertainment and cool interactive experiences to massive audience appeal in three major markets: Los Angeles, San Diego and Phoenix.

Posted in culture, Film, Food, Geek Fun, Los Angeles Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , ,

April 1st, 2018 by Cherry

I loved the Walt Disney Television Animation and Buena Vista Television animated series Gargoyles created by Greg Weisman (1994 to 1997). Like many fans I’ve wanted more of these characters so am beyond excited that the award-winning filmmaker Carlos Ferrer has made a short short fan film in hopes of getting approval from Disney to helm a movie with the great characters. The series may have been for kids but I watched as young adult and fell in love with the voices, storylines of being ‘out of time’, friendship, loyalty and heroism. If you’ve never seen the series it follows a clan of night creatures aka Gargoyles who protect modern New York City as they did in Scotland when they wake up after nightfall. Ferrer has directed, edited, animated and scored the fan film out of love for the characters and stories.

I need as many views as possible to convince producers and execs that my vision of a live action Gargoyles film will work for audiences and fans. It’s a rich story with a great message – a fantasy set in the real world and with today’s technology it could be fantastic. I grew up with this so I feel like I really know what has to be done. So it’s really about getting as much exposure as possible with the fans and others who may not know about the show“,Carlos Ferrer.

About Carlos Ferrer

Ferrer is an award-winning American filmmaker with over fifteen years experience in production and storytelling. At the age of sixteen, he directed over one hundred cast and crew members on a feature-length film that later won “Best Student Feature” at the Long Island Film Festival. Ferrer studied Film at SUNY Purchase College, graduating in 2008 with a Bachelor of Fine Arts in Theatre Arts & Film. His credits include the 2016 film Retina and short film The Popcorn Man.

What did you think of the short? Leave a comment below if you want to see a feature length live action or animated film of the beloved series ….

Posted in Animated, Film, free, geek tv, TV Tagged with: , , , , , , , , , , , , , ,

March 31st, 2018 by Aiyonna White
(L to R): Composers and panelists Mark Rivers, Tim Kiefer, Ryan Elder, and Tom Howe at “Music in Animation” panel at WonderCon on Sunday, March 25th in Anaheim, CA.

by Aiyonna White, Contributor      

        I talked to the creative minds behind some of your favorite music pieces in your favorite T.V. shows! I had the chance to interview Ryan Elder, Tim Kiefer, Mark Rivers, and Tom Howe about composing for animation, comics, and their favorite music genres! I also self-indulgently ask them about choir music and show off my music tattoo as an attempt of camaraderie.

 

Tom Howe

Howe is an award-winning film and television composer and is most known for his work on Wonder Woman and Legend of Tarzan. He has recently worked on the new animated film Early Man.

 

Q: How’s your Wondercon going? Did you just get here?

A: I just got here, and it’s great. I didn’t realize it was such a big thing. Seeing everyone walking around in their costumes was fantastic. I think Americans do things bigger and better than anywhere else.

Q: Are you from England?

A: I am.

Q: I didn’t know that.

A: Yeah. I’m from there. Lived here four years, though.

Q: Can you tell me a bit about Early Man?

A: Yeah. I came on to that project 10 weeks from when we recorded which was November. My co-writer, who is Harry Gregson-Williams, he called me and asked me if I’d like to co-write the movie with him, and I then flew over to London to meet Nick Park and the team. Hung out there for a couple of days just getting to know everybody, visiting sets, and came back and then we started writing, trying to get things approved because we didn’t have a lot of time before we actually had to record. But the movie was fairly complete by that point. Some things change but a lot of the animation had been done because it takes like four or five years for them to get it together, because it’s very slow. It’s frame by frame filmmaking. It was just a great opportunity to be a part of and a fantastic process.

Q: Can you tell me how you got into composing?

A: My parents are both musical, and…my dad plays the organ, piano, guitar, and things, but he played the organ in church and my mom sung in the choir, so I did a lot of singing when I was younger. I started piano at about four or five or something. I took up the guitar at eight, I think, and then the clarinet later, a few things like that. I studied music and orchestration and things later on. I thought originally I was going to be in a band and be a songwriter. That’s what I really wanted to do, but I got a lot of people asking me to do string arrangements for songs, so I ended up going more in that direction. Somebody who I’d been in college with, who had nothing to do with music, but she got a job at a television channel. She called me they needed some music for a very small thing

Composer of Early Man, Tom Howe talks animation at “Music in Animation” panel at WonderCon on Sunday, March 25th in Anaheim, CA.

they were doing. A two minute long student film that they were putting out that day, and I did that. I’d suddenly found that I’d switched directions from what I thought I was gonna do to writing music for media. After that, that producer went on to do something else and I worked with him, then. One thing sort of snowballed to the other. I always knew I was going to do music, whether it was songwriting or film work or whatever.

 

Q: What music do you listen to in your free time?

A: Uhm….

Q: If you like to listen to music in your free time.

A: Funnily enough, because you’re on a film or T.V. show and you’re writing music it can be 18 hours a day for six-and-a-half days a week, sometimes seven when you’re getting near the end. There isn’t really a lot of time to listen to music outside of that, and I almost don’t want to. So I actually I find I listen to a lot of talk radio because I want to hear something but I need it to be almost like white noise that just distracts me rather than something musical. But if I get the chance… I’ve got three kids who listen to all kinds of different things. Usually, it will be whatever they’re listening to, because if we’re driving somewhere in the car, that will take priority over whatever I want to listen to.

Q: You talked a little bit about being in choirs?

A: Yeah.

Q: I love choir. Do you have a favorite choir composer?

A: Yeah, I love Morten Lauridsen, who I think is amazing. He and actually Eric Whitacre is another guy. Eric Whitacre is quite similar to Morten Lauridsen, but there’s a piece called “O Magnum Mysterium” by Lauridsen and I think it’s fantastic. The really close kind of voice writing. A lot of divisi cuts and clashes but… I don’t think there’s anything like the voice… strings get pretty close maybe, but I think that there’s nothing like just voices for everything, really. For emotion, for written things… one of the films I remember seeing growing up was a film called Cry Freedom. This sort of fantastic African choir, just the sound of it obliterated everything else in the movie in terms of the musical stuff. I thought they were amazing. But those are probably the two that I’ve been listening to, recently anyway. I think they’re both great.

Q: I sang that piece in high school.

A: Really?

Q: I loved it. It was beautiful.

A: It’s great, isn’t it?

Q: It was a lot of work.

A: I was gonna say, it’s not an easy thing to sing. There’s a lot or very close writing that then resolves, isn’t it? You’re clashing for quite a bit. But yeah, it’s a great piece of music.

Q: Can you tell me a bit about your role in the Wonder Woman movie?

A: Sure, yes. I was an additional composer on that movie for Rupert Gregson-Williams. That really involves… well, on a movie like that there was, again not a lot of time to put it together, but also there’s a lot of minutes of music. So, I’ll take on some scenes, basically, on Rupert’s behalf and I’ll either take a theme that he’s written-obviously all the main themes are by him and he’s doing the bulk of the movie- and I’ll work that theme into the scene that I’m doing. Or it could be a stand-alone scene that therefore isn’t hugely affecting the arc, then I’ll take that on just to kind of mean that he has not got to do it. So I probably took eight or nine, ten scenes in the movie, something like that. Just try to help out, really. It’s not uncommon on some of these big movies to have one or two other people kind of running alongside you trying to get it all done. Particularly when on a movie of that scale, where the picture’s changing a lot, so there’s a lot of musical conforms to do as well as writing. You’re permanently trying to keep up with the latest version of the picture. It’s just a lot of work that needs to be done. I’ve done that on several different movies for different people, but it’s a great thing to do, I think because you get the experience of working on a huge movie-you’re part of it, your music’s going into the film-but you slightly can stand back from the pressure of being in the firing line as the lead composer if they don’t like it at all. You can learn a lot doing it. It’s good fun. The movie turned out well didn’t it? It was huge. It was very successful.

Q: I loved that movie.

A: Second one’s coming.

Q: Do you read comics at all?

A: I haven’t for many years. A friend of mine collects the original ones and he seems to have an amazing collection of very valuable comics, as well. Do you collect them?

Q: I don’t collect them because I’ve seen that it’s not valuable. But it’s cool to read, I guess. If I really like a piece then I’ll buy it. How much freedom do get when you’re composing?

A: It depends on the project actually. Fairly- initially, anyway- a fairly big degree of flexibility in what you can do and theme ideas, and things. But, fundamentally, writing film music you’re always serving the filmmakers vision, the studio, the other people involved. So you have to respect that. I think sometimes, in the case of like Early Man. I was on for ten weeks, Nick Park was on for six years, so he’s going to have a better idea of what it is and what he wants than I am. I can’t absorb that in that short amount of time, and I have to start writing straight away. I’ve only got ten days before I’m trying to be at the same speed. I think you do get freedom, but at the same time people know what they want and you are trying to serve a higher purpose. Otherwise, you can go write concert music.

 

Follow Tom Howe on Twitter: @howe_tom

Posted in Animated, art, Comic Books, Comic Con, Film, geek tv, Movie, music, TV Tagged with: , , , ,

January 9th, 2018 by Cherry

The future is now and Hero Complex Gallery has one final 2017 timed release for Drew Struzan’s Back to the Future artwork screen print. HCG used scans of the original painting to create the perfect print with close consultation and approval of Drew to make sure it looks like the original poster from the beloved trilogy. I remember seeing the first Back to the Future and falling in love with not only Marty and the Professor but the DeLorean! Those gull wing doors, the color and the crazy future that seemed so far away I wasn’t sure we’d even make it! Sadly I was never able to buy my dream car or travel to the future and the past but at least fans from across the world can now own a piece cinema history with the limited edition print. A lucky few will even have the print signed by Drew Struzan himself! This poster design will always bring back memories of not only seeing the movie as a kid in Davenport, IA but also my hopes for the future. So mark your calendar for the timed release and get your card ready for the perfect addition for any collector and an ideal Valentine Day gift to the love of your life, BFF, mom, dad or what the heck YOURSELF!

Back to the Future ‘One Sheet Version’ by Drew Struzan

Back to the Future ‘One Sheet Version’ and Back to the Future ‘Art Print Version’
by Drew Struzan

Screen Print
24 x 36 inches
Hand-numbered
Timed edition*

*Edition size will be determined by the number of prints sold
starting 12/23/17 and ending at midnight 1/15/18

Posters – $135 ea.
Add-on Drew Struzan Signature – $50 ea.

PLEASE NOTE THAT THE QUANTITY OF DREW STRUZAN SIGNATURES ARE LIMITED
SO BE SURE TO SECURE YOURS TODAY!

TIMED EDITION SALE FAQ

Q: How does a Timed Edition sale work?
A: IN A TIMED EDITION SALE, A POSTER OR POSTERS ARE PUT ON SALES FOR A PREDETERMINED AMOUNT OF TIME – IN THIS CASE FROM DECEMBER 23RD UNTIL 11:59PM PACIFIC TIME ON JANUARY 15TH, 2018. HOWEVER MANY POSTERS SELL IN THAT TIME PERIOD WILL DICTATE THE EDITION SIZE. IF WE ONLY SELL 50 COPIES, THE EDITION WILL BE HAND-NUMBERED OUT OF 50. IF WE SELL 5,000, THE EDITION WILL BE HAND-NUMBERED OUT OF 5,000, AND SO ON. WE’LL MAKE AN ANNOUNCEMENT ABOUT THE EDITION SIZE AFTER THE SALE CLOSES.

Q: How many posters can I purchase?
A: BECAUSE THESE ARE TIMED EDITIONS, THERE IS NO LIMIT TO HOW MANY POSTERS YOU CAN BUY.

Q: Can I combine this order with my other poster orders?
A: NO….BECAUSE OF THE VALUE OF THESE POSTERS WE WILL NOT BE COMBINING ANY ORDERS TOGETHER TO HELP PREVENT AGAINST POTENTIAL DAMAGE.

Q: Will Drew sign my poster, and if so, how much is it?
A: IN ORDER TO ALLOW FOR THE MOST OPTIONS POSSIBLE AND TO ALLOW AFFORDABLE OPTIONS FOR ALL BUDGETS, WE ARE OFFERING DREW STRUZAN SIGNATURES SEPARATELY FROM THE POSTERS THEMSELVES. IF YOU CHOOSE TO ADD DREW’S SIGNATURE TO YOUR POSTER WHEN PURCHASING, IT WILL COST AN ADDITIONAL $50.

Q: Do you ship internationally?
A: YES, WE DO SHIP INTERNATIONALLY, POSTAGE RATES ARE AUTO-CALCULATED DEPENDING ON WHERE YOU LIVE.

Q: I live in Los Angeles, will you offer Gallery Pick-ups for this timed edition?
A: YES, WE WILL BE ABLE TO OFFER LOCAL PICKUP THIS TIME, PLEASE USE COUPON CODE #LOCALPICKUP WHEN PLACING YOUR ORDER.

Q: When will these posters ship?
A: THESE POSTERS WILL SHIP IN THE FIRST QUARTER OF 2018. AFTER THE HOLIDAYS AND ONCE WE KNOW HOW MANY POSTERS WILL NEED TO BE PRINTED AND SHIPPED, WE SHOULD HAVE A MORE ACCURATE SHIPPING ESTIMATE.

Q: In the weeks since I ordered this poster I have moved / gone on holiday, can I change my shipping address?
A: YES, PLEASE EMAIL US DIRECTLY AT SHIPPING@HCGART.COM AND WE’LL MAKE THE ARRANGEMENTS! NOTE: WE WILL NOT UPDATE ADDRESSES TO SHIP THE POSTER TO A THIRD PARTY.

Q: Can I cancel my order?
A: BECAUSE OF THE COMPLEXITIES OF ARRANGING PRINTING AND SIGNATURES ON THIS POSTER SALE, ALL POSTER SALES MUST BE FINAL, WE HOPE YOU UNDERSTAND.

Posted in art, Film, Los Angeles, Movie Tagged with: , , , , , , , , , , , , , , , , , ,

November 7th, 2017 by Aiyonna White

by Aiyonna White, Contributor

Cinemark Theatres has partnered with The Asylum to offer discounted tickets to exclusive horror, sci-fi, thriller, and cult films from the independent film company. The studio is most famous for the Sharknado franchise. Read more of this article »

Posted in Comedy, Film, Geek Fun, Movie Tagged with: , , , , , , ,

November 2nd, 2017 by Aiyonna White

by Aiyonna White, Contributor

Panels are an opportunity for fans to connect with their favorite creators. Los Angeles Comic Con took place on October 27-29 and offered dozens of panels for fans to attend when they were not walking the floor. The convention may have ended, but these panels left a lasting impression on me. Read more of this article »

Posted in Animated, Comic Books, Comic Con, culture, Film, Geek Fun, geek tv, LGBT, Los Angeles, TV Tagged with: , , , , , , , ,

October 30th, 2017 by Aiyonna White

by Aiyonna White, Contributor

I interviewed exhibitors and artists with unique and interesting products at Stan Lee’s Los Angeles Comic Con. These products range from art prints to comic books, to cosplay props. Take a look! Read more of this article »

Posted in Animated, Comic Books, Comic Con, culture, Film, Geek Fun, Gift Ideas, Los Angeles Tagged with: , ,

August 26th, 2017 by Cherry

LOVING | Fangirl Critic Pick | Directed by Jeff Nichols Biography | Drama | PG-13 | 2h 3m

By Cherry Davis NOV. 3, 2016

Anti-miscegenation laws or miscegenation laws were laws that enforced racial segregation at the level of marriage and intimate relationships by criminalizing interracial marriage and sometimes also sex between members of different races.

 

img_0246

 

Just think what that means and how a couple in Virginia changed the course of marriage for people of all races and sexual orientation.

 

I was familiar with the Loving story but seeing their story in this political landscape reminded me how far we’ve come but how much further we have to go for true equality for all people (race, sexual orientation, citizenship). My heart was in my throat from the opening scene. Jeff Nichol’s caressed this story with the eyes of love and it speaks to the division of America’s past and current division of race. Loving takes us back to a time with anti-miscegenation laws were on the books in many states so when Mildred and Richard crossed state lines to marry in Washington, DC it started a domino affect that is still cited in court cases today. A white man and woman of color (Black and Native American) could not legally marry in Virginia. Virginia passed the first law in 1691 to prevent interracial couples from having children.

 img_0244

 

Loving takes place in the late 1950s with Mildred (Ruth Negga) and Richard (Joel Edgerton) a young couple in love living in a small area outside of town (where the blacks, Native Americans and poor whites) lived in an easy peace. Mildred and Richard have a chemistry and deep friendship that was noticed not just by white but black people and not everyone approved but most didn’t say anything as long as they seemed to be ‘spending time’ with one another.

 

img_0245 I noticed the looks from a few white men at the race and a black woman at the fabric store. But they were protected by their love and affection but eventually the read world intruded in their fairy tale.

Mr. Nichols (‘Take Shelter’, ‘Mud’) has a light touch with the film that follows the couple as if you’re an angel looking over their shoulders. It’s a film of small sights and long lingering looks (not always of passion) where love runs up against a brick wall and refuses to stop. Some people may not know the history of our country but in the 1950s Jim Crow was the law of many states as in the signs that say ‘Separate but Equal’ and it was a time when America was in a huge upheaval with the beginning steps of the Civil Rights movement.

 

The Loving’s first come to the attention of the local police after they return from Washington, DC and happily display the marriage license. They fell asleep in each other arms and woke to Sheriff R. Garnett Brooks (Marton Csokas) and his deputies with flashlights and angry voices. It was the first inkling of how they had crossed the ‘invisible’ line that they were never to have crossed. Mildred and Richard were arrested and jailed for not following the law against interracial marriage in Virginia. From that moment your heart will be beating so fast for them fear of the legal ramifications, the unspoken threat of being lynched and if their love would survive the many obstacles in their path.

 

Looking at this couple and how Mildred finally had said ‘enough’ she wanted her life with her beloved husband, children and extended family back and the lengths/sacrifices is simply fascinating. Watching their story unfold from Richard’s deep connection with black people and easy kinship to Mildred’s close relationship with her family the film takes the photo from ‘Life’ magazine and give them life. The team behind the movie from set, location, cast, makeup, hair, cinematography and direction made this feel like we had stepped back in time. It’s incredibly moving to tell the story of two people fighting the state of VA with the assistance of the ACLU, a green lawyer wanting to fight the law, the Georgetown Professor who introduces him to his more experience co-counsel and all the moving parts to find the right case to strike down these laws is simply fascinating.

 

The story of the Lovings have been told in numerous books and movies over the decades but Mr. Nichol’s found ‘The Loving Story’ (2011) documentary directed by Nancy Buirski with archival film footage to be an inspiration of the family. Seeing them as people and how they interacted with one another enabled him to write/direct a film that truly reflects this couple. A woman who may have been shy but had a will of iron when it came to her family and a strong solid husband who always took care of his wife and put his family first even over the objections from kin and the law.  

 

This film is like a river that follows it’s own path no matter how long it may take to carve out the land. I strongly recommend this film for the quiet moments, the sighs and yes the love that fought to be heard all the way to the Supreme Court.

 

Loving celebrates the real-life courage and commitment of an interracial couple, Richard and Mildred Loving (portrayed in the film by Joel Edgerton and Ruth Negga), who fell in love and were married in 1958 from acclaimed writer/director Jeff Nichols (Take Shelter, Mud, Midnight Special).

 

The couple had grown up in Central Point, a small town in Virginia that was more integrated than surrounding areas in the American South. Yet it was the state of Virginia, where they were making their home and starting a family, that first jailed and then banished them. Richard and Mildred relocated with their children to the inner city of Washington, D.C. While relatives made them feel welcome there, the more urban environment did not feel like home to them. Ultimately, the pull of their roots in Virginia would spur Mildred to try to find a way back.Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry. Richard and Mildred returned home and their love story has become an inspiration to couples ever since.

 

Posted in Film, Interracial Dating, Los Angeles, Politics, Race in America

July 9th, 2017 by Cherry

Image result for dirty dancingThe only thing that can get me camping is Dirty Dancing! I have been planning to have fun with Street Food Cinema this summer but this special night celebrating the 30th Anniversary of Dirty Dancing sounds like such fun that I’m ready to put my dancing shoes on. So am making plans and inviting friends to meet out at the King Gillette Ranch in Malibu on Saturday, July15th (King Gillette Ranch – 26800 Mulholland Hwy. Malibu, CA 91302).

Its two fun day of fun from dance lessons to the movie to breakfast the next day! I feel a need to cosplay with a ‘don’t put baby in the corner’ cute outfit.

 Saturday, July 15th

3:30 pm – Check-in opens.

4:30pm – Dance Lessons begin.

6:30 pm – Band performs.

8:30 pm – Movie starts.

10:30 pm – Outdoor Lounge, Kellerman’s Karaoke and other post-movie activities open.

11:30pm – Midnight Hike begins.

Sunday, July 16th

8:00 am – Catered breakfast opens.

2:00 pm – Check-out.

If you aren’t in Los Angeles they have fun events in San Diego & Phoenix .. can I say ROAD TRIP! Leave a comment below what you want to see! 

About: Street Food Cinema, the ultimate movie experience evolves into an unforgettable camping experience right in the middle of the Santa Monica Mountains, just above Malibu. This summer night retreat brings to life the classic elements of everyone’s beloved favorite with Kellerman’s summer resort including dance lessons with Johnny Castle, karaoke, and watermelons. It’s the summer of 1963 for Baby and Johnny, but we met them in the 80’s, so get ready for a 60’s/80’s decade mashup during this themed overnight experience (Sunday breakfast included). 

www.streetfoodcinema.com/schedule/los-angeles/

www.streetfoodcinema.com/schedule/san-diego/

www.streetfoodcinema.com/schedule/phoenix/

SaveSave

SaveSave

SaveSave

Posted in Film, Geek Fun, Los Angeles, Movie Tagged with: , , , , , , , , , , , , , ,

Follow

Get every new post delivered to your Inbox

Join other followers:

%d bloggers like this: