It’s hard to believe Sharknado burst onto SYFY on 2013 and now we are have the finale this Sunday on Syfy! I still remember the fun popcorn night of watching tornados and sharks in one movie thanks to the minds Asylum! But all good things eventually come to an end and the wild ride is at the end of the golden brick road with THE LAST SHARKNADO: IT’S ABOUT TIME. Happily they are bringing EVERYONE to the party from past stars to new cameos that will have you laughing on the couch! Fin (Ian Ziering) is out to save the world after Sharknado 5: Global Swarming but he’s going to need help to save not only his family but everyone on earth. So he’s going back in time to get his Sharknado Team together to kick some shark bootie! Anthony C. Ferrante the director of all 6 films and Scotty Mullen (writer 5 & 6) have brought all the zany fights, crazy ‘shark out of water’, fun cameos and now time travel to bring everyone back to the party! This means that Ian Ziering, Tara Reid, Vivica A. Fox, Cassie Scerbo, Jonathan Bennett, Lydia Hearst, Brandi Glanville, Eileen Davidson, Bai Ling, Kato Kaelin, Cody Linley, Sam Medina and Sofie Dossi will be grabbing weapons to save humanity and keep us laughing!
I’m covering the red carpet and will be watching in THEATRE so any fangirls/boys have a question for the cast leave a note below ….
Posted in Film, geek tv Tagged with: Bai Ling, Blerd, Brandi Glanville, CASSIE SCERBO, Cody Linley, Eileen Davidson, Fanboy, Fangirl, Geek, IAN ZIERING, itsafanthing, JONATHAN BENNETT, Kato Kaelin, LYDIA HEARST, nerd, Sam Medina, Sharknado, Sharknado6, Sofie Dossi, SyFy, Tara Reid
I have to say that I remember really enjoying the Equalizer (2014) back when I saw it not that I didn’t complain but it was fun to see Denzel play an action hero. I have a major weakness for anti-heroes and Robert McCall (Denzel Washington) fit the bill. He was superhuman but without the cape and bats. He was Batman on steroids and I loved that he reminded me of my dad. McCall was an avenging angel taking revenge on men brutalizing a young white woman.
Now McCall was far from perfect since the punishment didn’t always fit the crime. Robbing a Home Depot doesn’t deserve the death penalty but it was nice to see a black man as the vigilante instead of the bad guy who gets comeuppence of a punishment at the end of a gun or baseball bat or whatever he could reach. Antoine Fuqua took the anti-hero action movie trope and bent it to his will from the slow walk away, explosions, carefully choreographed action scenes and great one liners.
But it’s four years later and I expected it to be bigger, badder and more equalizer. Instead it was a action spy movie with a super slow buildup that had a few surprises. It kept my attention but I didn’t walk out of the theatre thinking I’d love to see this again. I knew from the first smirk who was behind the murder of McCall’s BFF (et to Brutus) from the many commercials that gave away WAY too much!
It felt like everyone wanted some extra money in the bank and decided a sequel was a great idea but decided to half ass it with a meandering script and a ‘you can’t go home again’ backstory to ‘explain’. Also why does he pretty much only rescue white women from sexual violence? Black women get raped too and I gave the ‘save a white girl’ trope in the first movie but they just had to go back again and make a white woman the innocent victim who he HAS to play the knight in shining armor? They could have easily cast a black woman or a woman of color in the role and it would have been an interesting aside since a black woman accusing white men of rape being believe that they would rape her would have been an interesting storyline. I mean he’s a Lyft driver who mostly picks up non-POC I can say as one black woman all I use are ride share apps since cabs never want to pick me up. The Holocaust survivor’s (Orson Bean) fight for a family painting with a twist ending was so out of place I mean like startling out of place from the friendship to how he helped. Urghh did I mention that he saved TWO white girls? One (Rhys Olivia Cote) was from her ‘evil’ Turkish father (Adam Karst) gotta love the casual anti-Islamaphobia and the white worship that of COURSE he’d marry a white blond woman (Tamara Hickey) than get mad and abduct the child but yahoo Independent Bookshop???
Washington is a great actor surrounded by a cast that turn in a solid if by the numbers performance but I expected more. I wanted him to ‘save a black girl/woman’. I would have really liked more of an exploration of his life in the apt building and the friends (Sakina Jeffrey) he made. I really didn’t care for the gangbanger story (Ashton Sanders) since I’ve seen that before and done much better. Oh and that apt in NYC was HUGE more money than a Lyft driver could afford especially with the upgrades! The storm scene was really hard to see so it was kind of muddled. I wish they had spent a little money to make it look cleaner and closed up on his hand movements. Plus more hand to hand combat if you’re a badass former spy I expect you to fight better but I guess he’s getting old .
Now I don’t want to say that the movie didn’t have a few good quips and startling moments but not enough to justify the end that I would have liked to have more of a punch. Instead the film ends suddenly like running into a brick wall that you didn’t expect on a foggy day. It would have been better to avoid the face splat and spending my money to support a black lead actor and director who couldn’t be bothered to cast a black woman in a substantial role. McCall saved three white women, saved a white man, rescued a black kid and revenged the death of another white woman but I guess black women are again invisible to anti-hero McCall and Antoine Fuqua.
Watching the film I can’t help but wonder if they think this will be a Mission Impossible or Jason Bourne action series where they can churn out sequels or even pass off to a new hot actor. Well bless their hearts cause this is the last Equalizer movie ticket I’ll buy and will look side eye at Antoine AND Denzel’s next movie.
Director: Antoine Fuqua
Writer: Richard Wenk
Starring: Denzel Washington, Pedro Pascal, Ashton Sanders, Orson Bean, Melissa Leo, Bill Pullman
Release Date: July 20, 2018
Posted in Film, Los Angeles, Movie, Review Tagged with: Antoine Fuqua, Ashton Sanders, Bill Pullman, Cherry at the movies, Denzel Washington, EQ2, Equalizer, Equalizer 2, film, Melissa Leo, movie review, Orson Bean, Pedro Pascal, Review, Sakina Jaffrey, Tamara Hickey
The 2018 American Institute of Architects Film Challenge has added Marlene King (Pretty Little Liars, Famous in Love, Now and Then) is a new judge. The fourth annual is part of the AIA’s “Blueprint for Better” campaign. It’s an initiative that highlights the collaborative work of architects and civic leaders to solve some of the biggest issues facing cities today. The AIA Film Challenge premiered in June with the organization’s new film, “Caño Martin Peña: A Blueprint for Better,” which depicts the rebuilding efforts of an architect and community leader in Puerto Rico following last year’s devastating Hurricane Maria that left more than three million people without power. Ms. King’s production company Long Lake Media has several projects in development and is currently adapting the Sara Shepard novel series “The Perfectionists” for TV at Freeform (2019). Her experience and eye will be a great addition to the judging team!
The 2018 American Institute of Architects Film Challenge has added Marlene King (Pretty Little Liars, Famous in Love, Now and Then) is a new judge for the fourth annual AIA’s “Blueprint for Better” campaign.
Keith Isaacs (Photographer)
It’s an initiative that highlights the collaborative work of architects and civic leaders to solve some of the biggest issues facing cities today. The AIA Film Challenge premiered in June with the organization’s new film, “Caño Martin Peña: A Blueprint for Better,” which depicts the rebuilding efforts of an architect and community leader in Puerto Rico following last year’s devastating Hurricane Maria that left more than three million people without power.
If you would like to submit a documentary to the Film Challenge all participants should produce, shoot and edit the three to five minute documentary to tell a story about architects working with civic and community leaders to make a positive impact. Submissions for the Film Challenge—due by 8:59 p.m. EST on Monday, Aug. 27—will be subject to two rounds of judging. The first round of winners will be selected by a panel of jurors from the media, architecture and film industries. A second round will be open for public voting to choose the “People’s Choice Winner.” Last year’s People’s Choice competition yielded more than 268,000 votes. Participants will have the chance to win a $5,000 grand prize that includes distribution of the film through a multitude of channels, including screenings at the Architecture and Design Film Festival on Oct. 16 in New York in addition to travel and accommodations. The “People’s Choice Winner” will receive a screening at the Chicago Ideas Festival. Other finalists will be awarded a $500 prize.
Complete details are available on AIA’s Film Challenge website. Films from previous Film Challenge finalists can be watched online.
There are many ways to engage and maximize the impact of the campaign this year.
- Read and share inspiring Blueprint for Better stories and sign up for updates on blueprintforbetter.org
- Use the hashtag #blueprintforbetter to join the conversation and promote the good work of architects.
- Component executives can access all campaign resources on Brandfolder – logos, tips on how to host a film series and more.
- Read The Architect’s Voice, AIA’s Message Book, which helps explain the work of architects to the public. Or, take the training course on AIAU.
- Download the Blueprint for Better campaign one-pager to share this information with fellow members and colleagues.
Leave a comment below if you plan to submit a documentary or vote!
Posted in festival, Film Tagged with: AIA, Architect, Architects Film Challenge, Architecture and Design Film Festival, Blueprint for Better, blueprintforbetter, Chicago Ideas Festival, Engineer, Famous in Love, Freeform, Long Lake Media, Marlene King, Now and Then, People’s Choice Winner, Pretty Little Liars, Sara Shepard, The Perfectionists
Horror fans get ready to attend the 2018 Horrorfest with screenings and stars from beloved movies! The Hollywood Horrorfest is an international fundraising film festival that has four days of events that you can’t miss! The event takes place Thursday, July 26 – Sunday, July 29th at the Mayflower Club (11110 Victory Blvd, NoHo) and benefits the Vincent Price Art Museum (VPAM) at East Los Angeles College! This year special guests include Cassandra Peterson (Elvira) who will receive the Price Award, Alan Howarth will have a live concert with music from John Carpenter classics ‘They Live’, ‘Escape from New York’ and ‘Halloween’ as well as receiving the Impact Award, Kevin Tenney will celebrate the 30th anniversary of ‘Night of the Demons’ with cast and crew and a Q&A with Dee Wallace star of ‘E.T.’, ‘Cujo’, ‘The Hills have Eyes’ and ‘The Howling’ after a screening of Gary Doust’s documentary ‘Horror Movie: a Low Budget Nightmare’. I grew up watching Ms. Wallace and LOVED Cujo as a kid who ever thought a St. Bernard could be that mean ! I’m very excited for the horror shorts to see what new directors are doing with the genre on Sunday! Don’t hesitate to buy tickets since events are selling out!
Special guests include:
Cassandra Peterson – ELVIRA (July 26) Peterson is set to receive the PRICE AWARD, honoring excellence in horror; Vincent Price’s daughter Victoria will present the award, followed by a screening of Elvira classic Elvira’s Haunted Hills and cast & crew Q&A.
Alan Howarth – (July 27) — The electronic music legend is set to receive an IMPACT AWARD, then play a live concert with music from John Carpenter classics They Live, Halloween and Escape from New York, then a cast & crew reunion Q&A following a screening of They Live. **
Kevin Tenney – (July 28) — The acclaimed director will celebrate the 30th anniversary of his much-loved cult film Night of the Demons with a cast & crew reunion, celebrity raffles, ‘80s cosplay contest and special appearance by Night Ranger’s ‘Sister Christian’ video vixen.
Dee Wallace – (July 29) — In-person Q&A with the star of E.T., Cujo, The Hills Have Eyes and The Howling following a free screening of director Gary Doust’s documentary Horror Movie: A Low Budget Nightmare
** This event is a fundraiser for the Vincent Price Art Museum (VPAM) at East Los Angeles College, a tribute to the horror master and unique educational resource that collects and displays artwork and design from every genre to inspire and enrich the community at large.
Posted in Comic Con, festival, Film, Geek Fun, Los Angeles Tagged with: Alan Howarth, Cassandra Peterson, Cujo, Dee Wallace, E.T., Elvira, Escape from New York, Gary Doust, halloween, Hollywood Horrorfest, Horror Movie: a low budget nightmare, horror movies, Indie Film, Kevin Tenney, Night of the Demons, Shorts, The Hills have Eyes, the Howling, They Live, Vincent Price
It’s GIRL power this weekend with Street Food Cinema! They have Wonder Woman in Glendale and Selena DTLA!
It’s been seven years since Steve Allison & Heather Hope-Allison founded Street Food Cinema to combine love of movies, drive-ins and food! Fans can see new and classic films in Los Angeles, San Diego and Phoenix.
This weekend I’m heading to Verdugo Park in Glendale with Gigi the Geek for Wonder Woman where part of the event proceeds are going to Red Nose Day USA! We also plan to enjoy LA food truck cuisine from Meat the Greek, Ralph & Richies, SUGO, The Shrimp & Taco Stop, Yuna’s Bob, Dreamy Creations AND Drunken Cake Pops, and dance to live music from DJ Ivy (http://www.djivyla.com/home/).
Mark your calendar for Red Nose Dayon Thursday, May 24thto raise money and awareness for children who need our help the most, in America and around the world. Our mission is to end child poverty – one red nose at a time. Get Your Nose On! Donate HERE
You can also head DTLA for the classic tragic tale of “Selena”at Exposition Park in Los Angeles, with live music from Selena tribute band Dreaming of You at 6:30pmand Food Truck favorites Canvas Food Truck, Goshen, Los Tamaleros, Not Your Mamas Kitchen, Oaxaca on Wheels, Phillyfornia, Roni Macaroni, Romolo’s Italian Kitchen, Spyros Gyros, Triple Threat Truck, Wise BBQ, Churro Stix, Drunken Cake Pops & more will be onsite.
Don’t stay home “Dazed & Confused” or you’ll miss a fun night with special guests Q&A, music and a movie.
Our 7th season offers so many exciting titles, that began with the incredible 2018 Oscar nominees “Get Out” on May 5th,“The Greatest Showman” on June 16th, and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time”on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” and “I, Tonya” on June 23rd, “The Sandlot” on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist”on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party “The Craft” & “Teen Witch” on September 15th.
Posted in festival, Film, Food, Los Angeles Tagged with: DC, DC Comics, drive in, DTLA, Exposition Park, Family fun, Food truck, Girls Night, glendale, Los Angeles, Movie Night, Red Nose Day, Selena, Street Food Cinema, Verdugo Park, Wonder Woman
It’s that time of the year to plan spring/summer fun and am so excited about the upcoming schedule for Street Food Cinema in Los Angeles! Season 7 is kicking off 420 style with Richard Linklater’s “Dazed and Confused” screening Saturday, April 28th at the LA State Historic Park with special guests Sasha Jenson “Don” & Wiley Wiggins “Mitch” for a Q&A before the film starts at 8:30pm. Arrive early because doors open at 5:30pm so that you can grab some grub, find a good spot and than enjoy live music from Reckless at 6:30pm.
It’s not Street Food Cinema without food and so they have a selection of munchies for any appetite including Baby’s Badass Burgers, Belly Bombz, Cousins Maine Lobster, Keep it C’asian, Okamoto, Pinch of Flavor, Prince of Venice, Richeeze Melts, Sabores de Mexico, The Shrimp and Taco Stop, Spitz, White Rabbit, Word of Mouth, Dream Donut, Recess Truck, and more will be onsite!
Our 7th season offers so many exciting titles, beginning with the incredible 2018 Oscar nominees “Get Out” and “I, Tonya” on May 5th,“The Greatest Showman” on June 16th, “Lady Bird” on July 21st and “Coco” on October 27th. As well as anniversary screenings for beloved fan favorites “Dazed & Confused” starting our season on April 28th, “The Land Before Time” on May 19th, “The Big Lebowski” on June 9th, “Mrs. Doubtfire” on June 16th, “Stand and Deliver” on June 23rd, “The Sandlot” on June 30th, “Grease” on July 21st, “Mamma Mia!” on August 4th, “Casablanca” on August 25th, “The Wedding Singer” on September 1st, “Nick & Nora’s Infinite Playlist” on September 8th, “Practical Magic” and “The Nightmare Before Christmas” on September 29th and “Twilight” and the original cult classic “Halloween” on October 13th. We’ll also debut our first double-feature PJ party “The Craft” & “Teen Witch” on September 15th. Now in it’s 7th season , Street Food Cinema is LA’s largest outdoor movie experience, combining carefully cultivated experiences with outdoor movies, street food, audience games, live music and more. We’d love to have you join us this season for 27 weeks, 11 locations and more than 50 fantastic events!
This ultimate outdoor movie experience founded in 2012 by the dynamic husband and wife team of Steve Allison & Heather Hope-Allison, has developed a strong community of entertainment and food enthusiasts across Los Angeles. Every Saturday throughout the summer, Street Food Cinema features beloved cult classic movies on a huge 50 foot screen alongside LA’s favorite food trucks like Cousins Maine Lobster, Street Kitchen LA and Churro Stix as well as emerging music artists such as Alex G., Past Action Heroes and The Urban Renewal Project: punctuated with themed audience games hosted by professional comedians to complete the interactive experience. Their Season 6 opener in 2017 was the worlds biggest La La Land screening AND the biggest Street Food Cinema to date at over 5,000 attendees. With their visionary idea to take the outdoor movie experience to fully inclusive night out –they incorporated a variety of fascinating food trucks, pre-movie live entertainment and cool interactive experiences to massive audience appeal in three major markets: Los Angeles, San Diego and Phoenix.
Posted in culture, Film, Food, Geek Fun, Los Angeles Tagged with: Casablanca, Coco, Dazed and Confused, Get Out, Grease, halloween, I Tonya, LA State Historic Park, Lady Bird, Momma Mia!, Mrs. Doubtfire, Nick & Nora's Infinite Playlist, Phoenix, Practical Magic, San Diego, Sasha Jenson, Stand and Deliver, Street Food Cinema, Teen Witch, The Big Lebowski, The Craft, The Greatest Showman, The Land Before Time, The Nightmare Before Christmas, The Sandlot, The Wedding Singer, Twilight, Wiley Wiggins
I loved the Walt Disney Television Animation and Buena Vista Television animated series Gargoyles created by Greg Weisman (1994 to 1997). Like many fans I’ve wanted more of these characters so am beyond excited that the award-winning filmmaker Carlos Ferrer has made a short short fan film in hopes of getting approval from Disney to helm a movie with the great characters. The series may have been for kids but I watched as young adult and fell in love with the voices, storylines of being ‘out of time’, friendship, loyalty and heroism. If you’ve never seen the series it follows a clan of night creatures aka Gargoyles who protect modern New York City as they did in Scotland when they wake up after nightfall. Ferrer has directed, edited, animated and scored the fan film out of love for the characters and stories.
“I need as many views as possible to convince producers and execs that my vision of a live action Gargoyles film will work for audiences and fans. It’s a rich story with a great message – a fantasy set in the real world and with today’s technology it could be fantastic. I grew up with this so I feel like I really know what has to be done. So it’s really about getting as much exposure as possible with the fans and others who may not know about the show“,Carlos Ferrer.
About Carlos Ferrer
Ferrer is an award-winning American filmmaker with over fifteen years experience in production and storytelling. At the age of sixteen, he directed over one hundred cast and crew members on a feature-length film that later won “Best Student Feature” at the Long Island Film Festival. Ferrer studied Film at SUNY Purchase College, graduating in 2008 with a Bachelor of Fine Arts in Theatre Arts & Film. His credits include the 2016 film Retina and short film The Popcorn Man.
What did you think of the short? Leave a comment below if you want to see a feature length live action or animated film of the beloved series ….
Posted in Animated, Film, free, geek tv, TV Tagged with: Blerd, Buena Vista Television, Carlos Ferrer, CNNGeekOut, CNNiReport, Disney, Gargoyles, Geek, Geekette, Greg Weisman, Live Action, Movie, New York City, Scotland, YouTube
(L to R): Composers and panelists Mark Rivers, Tim Kiefer, Ryan Elder, and Tom Howe at “Music in Animation” panel at WonderCon on Sunday, March 25th in Anaheim, CA.
by Aiyonna White, Contributor
I talked to the creative minds behind some of your favorite music pieces in your favorite T.V. shows! I had the chance to interview Ryan Elder, Tim Kiefer, Mark Rivers, and Tom Howe about composing for animation, comics, and their favorite music genres! I also self-indulgently ask them about choir music and show off my music tattoo as an attempt of camaraderie.
Howe is an award-winning film and television composer and is most known for his work on Wonder Woman and Legend of Tarzan. He has recently worked on the new animated film Early Man.
Q: How’s your Wondercon going? Did you just get here?
A: I just got here, and it’s great. I didn’t realize it was such a big thing. Seeing everyone walking around in their costumes was fantastic. I think Americans do things bigger and better than anywhere else.
Q: Are you from England?
A: I am.
Q: I didn’t know that.
A: Yeah. I’m from there. Lived here four years, though.
Q: Can you tell me a bit about Early Man?
A: Yeah. I came on to that project 10 weeks from when we recorded which was November. My co-writer, who is Harry Gregson-Williams, he called me and asked me if I’d like to co-write the movie with him, and I then flew over to London to meet Nick Park and the team. Hung out there for a couple of days just getting to know everybody, visiting sets, and came back and then we started writing, trying to get things approved because we didn’t have a lot of time before we actually had to record. But the movie was fairly complete by that point. Some things change but a lot of the animation had been done because it takes like four or five years for them to get it together, because it’s very slow. It’s frame by frame filmmaking. It was just a great opportunity to be a part of and a fantastic process.
Q: Can you tell me how you got into composing?
A: My parents are both musical, and…my dad plays the organ, piano, guitar, and things, but he played the organ in church and my mom sung in the choir, so I did a lot of singing when I was younger. I started piano at about four or five or something. I took up the guitar at eight, I think, and then the clarinet later, a few things like that. I studied music and orchestration and things later on. I thought originally I was going to be in a band and be a songwriter. That’s what I really wanted to do, but I got a lot of people asking me to do string arrangements for songs, so I ended up going more in that direction. Somebody who I’d been in college with, who had nothing to do with music, but she got a job at a television channel. She called me they needed some music for a very small thing
Composer of Early Man, Tom Howe talks animation at “Music in Animation” panel at WonderCon on Sunday, March 25th in Anaheim, CA.
they were doing. A two minute long student film that they were putting out that day, and I did that. I’d suddenly found that I’d switched directions from what I thought I was gonna do to writing music for media. After that, that producer went on to do something else and I worked with him, then. One thing sort of snowballed to the other. I always knew I was going to do music, whether it was songwriting or film work or whatever.
Q: What music do you listen to in your free time?
Q: If you like to listen to music in your free time.
A: Funnily enough, because you’re on a film or T.V. show and you’re writing music it can be 18 hours a day for six-and-a-half days a week, sometimes seven when you’re getting near the end. There isn’t really a lot of time to listen to music outside of that, and I almost don’t want to. So I actually I find I listen to a lot of talk radio because I want to hear something but I need it to be almost like white noise that just distracts me rather than something musical. But if I get the chance… I’ve got three kids who listen to all kinds of different things. Usually, it will be whatever they’re listening to, because if we’re driving somewhere in the car, that will take priority over whatever I want to listen to.
Q: You talked a little bit about being in choirs?
Q: I love choir. Do you have a favorite choir composer?
A: Yeah, I love Morten Lauridsen, who I think is amazing. He and actually Eric Whitacre is another guy. Eric Whitacre is quite similar to Morten Lauridsen, but there’s a piece called “O Magnum Mysterium” by Lauridsen and I think it’s fantastic. The really close kind of voice writing. A lot of divisi cuts and clashes but… I don’t think there’s anything like the voice… strings get pretty close maybe, but I think that there’s nothing like just voices for everything, really. For emotion, for written things… one of the films I remember seeing growing up was a film called Cry Freedom. This sort of fantastic African choir, just the sound of it obliterated everything else in the movie in terms of the musical stuff. I thought they were amazing. But those are probably the two that I’ve been listening to, recently anyway. I think they’re both great.
Q: I sang that piece in high school.
Q: I loved it. It was beautiful.
A: It’s great, isn’t it?
Q: It was a lot of work.
A: I was gonna say, it’s not an easy thing to sing. There’s a lot or very close writing that then resolves, isn’t it? You’re clashing for quite a bit. But yeah, it’s a great piece of music.
Q: Can you tell me a bit about your role in the Wonder Woman movie?
A: Sure, yes. I was an additional composer on that movie for Rupert Gregson-Williams. That really involves… well, on a movie like that there was, again not a lot of time to put it together, but also there’s a lot of minutes of music. So, I’ll take on some scenes, basically, on Rupert’s behalf and I’ll either take a theme that he’s written-obviously all the main themes are by him and he’s doing the bulk of the movie- and I’ll work that theme into the scene that I’m doing. Or it could be a stand-alone scene that therefore isn’t hugely affecting the arc, then I’ll take that on just to kind of mean that he has not got to do it. So I probably took eight or nine, ten scenes in the movie, something like that. Just try to help out, really. It’s not uncommon on some of these big movies to have one or two other people kind of running alongside you trying to get it all done. Particularly when on a movie of that scale, where the picture’s changing a lot, so there’s a lot of musical conforms to do as well as writing. You’re permanently trying to keep up with the latest version of the picture. It’s just a lot of work that needs to be done. I’ve done that on several different movies for different people, but it’s a great thing to do, I think because you get the experience of working on a huge movie-you’re part of it, your music’s going into the film-but you slightly can stand back from the pressure of being in the firing line as the lead composer if they don’t like it at all. You can learn a lot doing it. It’s good fun. The movie turned out well didn’t it? It was huge. It was very successful.
Q: I loved that movie.
A: Second one’s coming.
Q: Do you read comics at all?
A: I haven’t for many years. A friend of mine collects the original ones and he seems to have an amazing collection of very valuable comics, as well. Do you collect them?
Q: I don’t collect them because I’ve seen that it’s not valuable. But it’s cool to read, I guess. If I really like a piece then I’ll buy it. How much freedom do get when you’re composing?
A: It depends on the project actually. Fairly- initially, anyway- a fairly big degree of flexibility in what you can do and theme ideas, and things. But, fundamentally, writing film music you’re always serving the filmmakers vision, the studio, the other people involved. So you have to respect that. I think sometimes, in the case of like Early Man. I was on for ten weeks, Nick Park was on for six years, so he’s going to have a better idea of what it is and what he wants than I am. I can’t absorb that in that short amount of time, and I have to start writing straight away. I’ve only got ten days before I’m trying to be at the same speed. I think you do get freedom, but at the same time people know what they want and you are trying to serve a higher purpose. Otherwise, you can go write concert music.
Follow Tom Howe on Twitter: @howe_tom
Posted in Animated, art, Comic Books, Comic Con, Film, geek tv, Movie, music, TV Tagged with: Animation, early man, Music, Wondercon, wondercon 2018
The future is now and Hero Complex Gallery has one final 2017 timed release for Drew Struzan’s Back to the Future artwork screen print. HCG used scans of the original painting to create the perfect print with close consultation and approval of Drew to make sure it looks like the original poster from the beloved trilogy. I remember seeing the first Back to the Future and falling in love with not only Marty and the Professor but the DeLorean! Those gull wing doors, the color and the crazy future that seemed so far away I wasn’t sure we’d even make it! Sadly I was never able to buy my dream car or travel to the future and the past but at least fans from across the world can now own a piece cinema history with the limited edition print. A lucky few will even have the print signed by Drew Struzan himself! This poster design will always bring back memories of not only seeing the movie as a kid in Davenport, IA but also my hopes for the future. So mark your calendar for the timed release and get your card ready for the perfect addition for any collector and an ideal Valentine Day gift to the love of your life, BFF, mom, dad or what the heck YOURSELF!
Back to the Future ‘One Sheet Version’ by Drew Struzan
Back to the Future ‘One Sheet Version’ and Back to the Future ‘Art Print Version’
by Drew Struzan
24 x 36 inches
*Edition size will be determined by the number of prints sold
starting 12/23/17 and ending at midnight 1/15/18
Posters – $135 ea.
Add-on Drew Struzan Signature – $50 ea.
PLEASE NOTE THAT THE QUANTITY OF DREW STRUZAN SIGNATURES ARE LIMITED
SO BE SURE TO SECURE YOURS TODAY!
TIMED EDITION SALE FAQ
Q: How does a Timed Edition sale work?
A: IN A TIMED EDITION SALE, A POSTER OR POSTERS ARE PUT ON SALES FOR A PREDETERMINED AMOUNT OF TIME – IN THIS CASE FROM DECEMBER 23RD UNTIL 11:59PM PACIFIC TIME ON JANUARY 15TH, 2018. HOWEVER MANY POSTERS SELL IN THAT TIME PERIOD WILL DICTATE THE EDITION SIZE. IF WE ONLY SELL 50 COPIES, THE EDITION WILL BE HAND-NUMBERED OUT OF 50. IF WE SELL 5,000, THE EDITION WILL BE HAND-NUMBERED OUT OF 5,000, AND SO ON. WE’LL MAKE AN ANNOUNCEMENT ABOUT THE EDITION SIZE AFTER THE SALE CLOSES.
Q: How many posters can I purchase?
A: BECAUSE THESE ARE TIMED EDITIONS, THERE IS NO LIMIT TO HOW MANY POSTERS YOU CAN BUY.
Q: Can I combine this order with my other poster orders?
A: NO….BECAUSE OF THE VALUE OF THESE POSTERS WE WILL NOT BE COMBINING ANY ORDERS TOGETHER TO HELP PREVENT AGAINST POTENTIAL DAMAGE.
Q: Will Drew sign my poster, and if so, how much is it?
A: IN ORDER TO ALLOW FOR THE MOST OPTIONS POSSIBLE AND TO ALLOW AFFORDABLE OPTIONS FOR ALL BUDGETS, WE ARE OFFERING DREW STRUZAN SIGNATURES SEPARATELY FROM THE POSTERS THEMSELVES. IF YOU CHOOSE TO ADD DREW’S SIGNATURE TO YOUR POSTER WHEN PURCHASING, IT WILL COST AN ADDITIONAL $50.
Q: Do you ship internationally?
A: YES, WE DO SHIP INTERNATIONALLY, POSTAGE RATES ARE AUTO-CALCULATED DEPENDING ON WHERE YOU LIVE.
Q: I live in Los Angeles, will you offer Gallery Pick-ups for this timed edition?
A: YES, WE WILL BE ABLE TO OFFER LOCAL PICKUP THIS TIME, PLEASE USE COUPON CODE #LOCALPICKUP WHEN PLACING YOUR ORDER.
Q: When will these posters ship?
A: THESE POSTERS WILL SHIP IN THE FIRST QUARTER OF 2018. AFTER THE HOLIDAYS AND ONCE WE KNOW HOW MANY POSTERS WILL NEED TO BE PRINTED AND SHIPPED, WE SHOULD HAVE A MORE ACCURATE SHIPPING ESTIMATE.
Q: In the weeks since I ordered this poster I have moved / gone on holiday, can I change my shipping address?
A: YES, PLEASE EMAIL US DIRECTLY AT SHIPPING@HCGART.COM AND WE’LL MAKE THE ARRANGEMENTS! NOTE: WE WILL NOT UPDATE ADDRESSES TO SHIP THE POSTER TO A THIRD PARTY.
Q: Can I cancel my order?
A: BECAUSE OF THE COMPLEXITIES OF ARRANGING PRINTING AND SIGNATURES ON THIS POSTER SALE, ALL POSTER SALES MUST BE FINAL, WE HOPE YOU UNDERSTAND.
Posted in art, Film, Los Angeles, Movie Tagged with: 1985, Back to the Future, Biff Tannen, Christopher Lloyd, Crispin Glover, DeLorean car, Doc Brown, Drew Struzan's Back to the Future, Geek Art, Hero Complex Gallery, Lea Thompson, Limited Edition, Marty McFly, Michael J. Fox, One Sheet Version, Posters, Robert Zemeckis, Time Machine, time travel
by Aiyonna White, Contributor
Cinemark Theatres has partnered with The Asylum to offer discounted tickets to exclusive horror, sci-fi, thriller, and cult films from the independent film company. The studio is most famous for the Sharknado franchise. Read more of this article »
Posted in Comedy, Film, Geek Fun, Movie Tagged with: Comedy, film, horror, Movie, movie review, Review, SciFi, Zombie